paint., art, SALA Festival, Jesper Andersen

Harvest painter selection and thoughts.

These [ blunt; rounded; not sharp; forthright; plainly executed ] paintings by Jespersa¹
painted in "Shalom Monastry Studio" is an indispensable palliative; to mitigate or alleviate.
I knew that I must paint not what I saw, but only what was in me, in my soul.

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16 Collection: B. Rey
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06 Collection: Barnaby M. Andersun
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47 Collection: B. Rey
Top of Loud hill.
28. Collection of the painter, "en lille prygle² [ a little lashings² in the painters collection ] i maleren samling " [Danish].
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77 Collection: Michael Evans
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1 Collection: Catherine Healy.
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Donated to charity.; IMOG initiative raising funds for the women & children of East Timor.
Ref. Dr Bruno Giorgio MB BS MRCOG FRANZCOG Cheif Executive Officer IMOG
12/10/2006 " Tin Cat Cafe. S.A.

Member of  NAVA & quality control.

This Harvest art journal - Acknowledge the Kaurna people, the traditional custodians whose ancestral lands I gather on.
Expression through abstraction also Acknowledges the Traditional Owners of the country throughout Australia.

Lashings² of blessings,

Shalom Monastry Studio

¹ Jesper S. Andersen
paint., art, SALA Festival, Jesper Andersen

" ... I still have doubts, there is no certainty in this game, there are no rules.³ "

En-Garde-En-Provence.
For me, art is primarily a means of individual expression. I would prefer to be acknowledged for my unique vision rather than be confined to any one particular movement. This mentality lends itself to experimenting with a wide range of artistic disciplines, which is developing into a distinctive personal style.
If one were to draw an analogy from paintings, mostly colours, shapes and meaning to create an effect for the particular painting of Expression, Symbol and Primitivist the latter of which is a great source of inspiration.

START OF COMMERCIAL BREAK
" Don't be obsessed with getting more material things. Be relaxed with what you have." - The Message in contemporary language, by Eugene H. Peterson.
End of the commercial break.
The Painting's Shown Here In The Regional Journal Are Done On Oil Sketch Paper - Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Which Eliminates Bleeding. [TPSHITRJADOSP].
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" REMOVE SKIN BEFORE USE " [Ref. Selleys Special Putty - Premium Linseed Oil Formula - for glazing, joinery, plumbing work.] Ref: " Puttynose " - [ Christian, is a rare find.]

These blunt, rounded, not sharp, forthright and plainly executed paintings by Jespersa was
painted in "Shalom Monastry Studio" they are an indispensable palliative, to mitigate and alleviate. I knew that I must paint not what I saw, but only what was in me, in my soul, and I listened.
I create unique experiences that approach my friends with their followers and users highlighting innovations from point to point referring to the tips of one's toes or to the movement from place to place uncountable.
Anyone who tells a lie has not a pure heart, and cannot make a good soup. An honest answer is like a warm hug. These wise words preached me a sermon and I listened to the right word and applied the right tone of coloured oil paint at the right time of the relationship between space, colour and meaning.

Lashings of rare virtue
Best, Jespersa
³ Australian artist Guy Warren.
paint., art, SALA Festival, Jesper Andersen

BE PROVOCATIVE

OIL PAINTER PALETTE-SPEAK
Be provocative absurdity is underrated, if at first, the idea is not absurd, then there is no hope.

The social and spiritual agenda of my oil painting, search for a distinct style. Revelation, and the using of a limited repertoire of recurring motif or subject matter, often lead me to use my intuition with my minimal reductionist style of vibrant colour and geometric shapes which require a high degree of effort to fill in the details. I particularly like Yellow, Crimson and Phthalo Greens. The painting which is at times primitive, I consider myself a painter who is examining the lay of the landscape and flatness of the picture surface. Overall my painted oeuvre is not large.

See also; http://mountcompass.livejournal.com


The Brand and colours of oil paint that I use is
mainly primary colours, with an exception of
green on my palette as to harmonise with my
Primary School education after which I became
an autodidactic painter and to a lesser extent
a writer of journals and blogs.

ART SPECTRUM [ AS ]
1. Spectrum Yellow.
2. Golden Yellow.
3. Phthalo Blue.
4. Ultramarine Blue.
5. Spectrum Red Deep.
6. Permanent Crimson.
7. Phthalo Green.
8. Titanium White oil paint.
The medium used is Archival Oils - Lean Odurless medium.

Please take a look at my other journal and blogs:

http://www.artwanted.com/jesperandersen

http://visual-artistblogspotcom.blogspot.com

http://strongvisualart.blogspot.com

https://www.facebook.com/jesper.andersen.18041

CURRICULUM VITAE [ Resume ]

JESPER ANDERSEN
Born: Copenhagen, Denmark

CONTACT DETAILS
Email: jespersa@gmail.com

STUDIES
Autodidactic, [principally self-taught].
1973 Desiderius Orban, The Rocks, Sydney, NSW
1973 Graham Inson, Sydney, NSW
1970-1972 Julian Ashton Art School, The Rocks, Sydney, NSW
1967, 1968 Murray Walker & Robert Grieve at Grahams Castle,
Adelaide Uni. Summer School, Goolwa, SA
1964-1966 Self-taught at Terowie and Tailem Bend SA.

INDIVIDUAL EXHIBITIONS
2010 - SALA Festival @ Mount Compass, SA
2002 - SALA Festival, Red Dot Gallery, Ingleburn, McLaren Vale, SA
2002 - Adelaide Fringe, The Arts Centre, Port Noarlunga, SA
1999 - John Dunn Gallery, Bridgewater, SA
1999 - Red House Gallery, Sturt, SA
1979 - Adelaide Fine Art and Graphics, SA

PUBLICATIONS:
Artist is listed in the following Australian standard biographical reference:
1990 - Germaine, Max. Artists and Galleries of Australia, Volumes 1 & 2, Third Edition. Craftsman Press, Sydney, 1990. Page 10.

ARTICLES:
1999 - Adelaide Hills Weekender, June '99, by Joel Weatherald.
1999 - “ Copyright conundrum puts an artist out of the picture “- Michael Reid " The Australian," newspaper, December 13th, 1999, page 18.
I have also had my paintings exhibited in 43 selected group shows between 1970 to 2010, below are an edited, and incomplete list of places and galleries were I have shown my artwork:

GROUP EXHIBITIONS

1970-1971 The Orient Hotel, George Street North, Sydney, N.S.W. Australia.
1971 - Julian Ashton gallery, Sydney, N.S.W.
1971 - The Newcastle Hotel, Sydney, N.S.W.
1979, 1982, 1985 CAS Gallery, Adelaide, S.A.
1986 - I went with a team of missionaries to Kerala, India.
1992 - Chapel Hill Winery and Gallery, McLaren Vale S.A.
1992 - The Old Clarendon Gallery, S.A.
1996 - The Noarlunga Community Art Centre, S.A.
1997 - Chambers Gallery, City of Marion, S.A.
1997 - Pirramimma Winery, McLaren Vale, S.A.
1998 - The Barn, McLaren Vale, S.A.
1998 - The Noarlunga Community Art Centre, S.A.
1998 - Richard Hamilton Winery, Willunga, S.A.
1998 - McLaren Vale Visitors Centre, McLaren Vale, S.A.
1998-1999 - Broken Hill City Art Gallery, N.S.W.
2000 - Greenhill Galleries, Adelaide, S.A.
2004 - Det Runde Hus, Holsteinsgade 41, Odder, Jylland, Danmark
2006 - My Happiness Exhibition, Tin Cat Café, Kent Town, S.A.
2006 - The Bobonaro Project, Tin Cat Café, Kent Town, S.A. Ref. Dr Bruno Giorgio, MB  BS  MRCOG  FRANZCOG.
2015 - Missionary trip to " The Republic of Vanuatu " located in the Pacific Ocean.
2016 - 2017 A Small World - International Art Show for Cancer Research, Magpie Springs, 1870 Brookman Road, Hope Forest, SA.

1971, 1972 PRIZES Won: Jesper attended Julian Ashton Art School in Sydney where he won the Noni Guthrie prize for free expression in 1971 and shared the 1st prize in 1972 in the Phillip Musket Prize for landscape.

1998 - 10th of May, Mothers Day, Featured as " Jesper Anderson " on a long-running television program titled: " POSTCARDS " Channel 9, TV, Australia.

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paint., art, SALA Festival, Jesper Andersen

Solitude of the Ark.

Originally posted by jespersa at Solitude of the Ark.


Title: Catherine and Jessica.
Painter: Jesper S. Andersen.
Medium: Oil on cardboard.
Size: 47cm x 64cm.

In fiction, when one person reads the mind of another, it is often described as being able to hear this internal monologue as if it were said out loud.
Internal monologue, also known as inner voice, internal speech, or stream of consciousness is thinking in words. It also refers to the semi-constant internal monologue one has with oneself at a conscious or semi-conscious level.


Title: I am in the River.
Painter: Jesper S. Andersen.
Medium: oil on cardboard.
Size: 47cm x 64cm.

" ...I will extend peace to her like a river, and the wealth of nations like a flooding stream; you will nurse and be carried on her arm and dandled on her knees."



Title: Solitude [ Terroir ] of the Ark
Painter: Jesper S. Andersen.
Medium: Oil on cardboard.
Size: 47cm x 64cm.

Solitude as in " terroir " can be very loosely translated as "a sense of place," which is embodied in certain characteristic qualities, the sum of the effects that the local environment has had on the production of the art. At its core is the assumption that the land from which the art is inspired, imparts a unique quality that is specific. The amount of influence and the scope that falls under the description of terroir has been a controversial topic in visual art.
paint., art, SALA Festival, Jesper Andersen

Brave art.

Originally posted by jespersa at Brave art.
Originally posted by jespersa at Brave art.


Title: Braveart.
Painter: Jesper Andersen.
Medium: Oil on cardboard imported from the U.K.
Size: 47cm x 64cm.


YOU BROWSE YOU BUY
I was browsing an art magazine - Fine Art of Today's West. When I saw an advertisement for an exhibition at “ Red Cloud Indian School “ by the American Sioux Lakota artist, Braveheart. After contacting him via E-mail, I painted the above autobiographical oil painting titled " Braveart " as a homage to Braveheart.
The motif in the painting shows a “ blue hand, blue meaning heavenly origin; the Lord from heaven, a white fingerprint; white meaning light, righteousness, purity, and three Sioux Indian words, floating on oval cells, suggesting movement of the Internet and different tribes of post-modern people meeting one another in cyberspace. I understand the two Sioux words, " Lakota and Ohitika ". Lakota; meaning friend, and Ohitika; meaning brave.



Title: Forbidden landscape telling.
Painter: Jesper Andersen
Medium: Oil on cardboard.
Size: 47cm x 64cm.



My art consists of works produced by myself, who for various reasons I have not been culturally indoctrinated or socially conditioned. They are all kinds of artworks on the fringes of society. I am working outside fine art "system" (schools, galleries, museums). These pictures have been produced, from the depths of my own personality and for myself, and exhibited only on this Internet blog site. Works of outstanding originality in concept, subject and techniques, creativity are untidy and unnerving. They are works that owe nothing to tradition or fashion. They form a truly singular reality of their own.


Underestimate me, that'll be fun.
paint., art, SALA Festival, Jesper Andersen

Raw and redolent Nullarbor Nymph.

Originally posted by jespersa at Raw and redolent Nullarbor Nymph.
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Title: Nullarbor Nymph humpy.
Painter: Jesper Andersen.
Medium: Oil on cardboard

The myth of the Nullarbor Nymph was born in December of 1971 and has become outback folklore. A young woman was photographed, wearing some strategically placed animal skins, running along the Nullarbor Plain. The female beauty lived in the desert with the kangaroos. National and worldwide media organizations flocked to the tiny town of Eucla just over the Western Australian border. Eucla is so small that if you blink on your way through, you’d miss it. A motel, petrol bowsers, one phone box, and a population of eight. There where even suggestions that she might be an itinerant Adelaidian who had disappeared from the motel the year before, leaving all her belongings behind. Out there, in the middle of nowhere, it seemed possible, even likely. The locals were taking tourists out into the scrub and surrounding bushland, showing them imprints of a woman's feet in the sand, and a place where it was believed the Nullarbor Nymph had her humpy.
In other words, the patterns are directly perceived as somehow meaningful and thereby offer themselves as salient motifs for use in rituals.

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Jesper Soren Andersen is listed in the following standard biographical references:
Germaine, Max. Artists and Galleries of Australia, Volumes 1 & 2, Third Edition. Craftsman Press, Sydney, 1990. Page 10.
paint., art, SALA Festival, Jesper Andersen

This oil painting is titled; War and Peace.

This oil painting is titled; War and Peace '.


Title: " War and Peace."
Painter: Jesper S. Andersen ©
Medium: Oil on Hessian embossed cardboard imported from the U.K.
Size: 47cm x 64cm.

" War and Peace " - is a homage to the youthful woman, a beautiful muse. It deals with the ravages and battle for peace in the body. Behind the central green female figure in the middle of the landscape, is the oil painter in red, laying down. This painting expresses a sense of climatic character, and stinging precision, with the splurge of paint and design. Which have meaning beyond simple description? All curves on the road to War and Peace, have different twists and turns, so curves on our bodies work the same way. There are some curves that have more hills, and some curves have more " Merry Dents ". The Masculine, expressed through the vertical lines, can be seen in the trees; the balance can be reached (for example) by introducing a horizontal line of the sea. A woman will recognize herself in the endless horizontal line of the sea and will sing her balance in the vertical lines of the wood.
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This was the first oil painting on the subject of the female form in the landscape series.

Title: The Gap.
Painter: Jesper S. Andersen  ©
Medium: Oil on Hessian embossed cardboard imported from the U.K.
Donated to charity; IMOG initiative raising funds for the women & children of East Timor.
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Title: First water, fire tracks and vineyards.
{This painting has since been destroyed by fire}.
Painter: Jesper S. Andersen  ©
Medium: Oil on canvas
Size: 167 x 122cm
Date: 10/07/2002.
This painting is a primitive style, composite rendition of a vineyard. The painting developed out of the lower half of another oil on canvas landscape titled; " First water, fire tracks and vineyards." See below.
The original painting is shown here in the photograph below;
' First water, fire tracks and vineyards ' has since been destroyed.

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Title: Willunga Hillock.
Painter: Jesper S. Andersen. ©
Medium: Oil on Hessian embossed cardboard imported from the U.K.
Donated to charity.; IMOG initiative raising funds for the women & children of East Timor.
Ref. Dr Bruno Giorgio
MB  BS  MRCOG  FRANZCOG  Cheif Executive Officer IMOG
12/10/2006  " Tin Cat Cafe. SA.
paint., art, SALA Festival, Jesper Andersen

Seaview road, McLaren Vale.

Originally posted by jespersa at Seaview road, McLaren Vale. ©


Title: Seaview Road, McLaren Vale
Painter: Jesper Andersen
Medium: oil on cardboard

Seen from a high vantage point, this approachable landscape embodies a pioneering spirit with our impact on the natural environment, as roads cut into the landscape, and with it's frontal aspect of the Seaview sub-region. An enthusiasm for lemon citrus colour, adding a tangy note to this animated subject, with a hint of vineyard. This painting is as fiercely original as the beautiful country of the Fleurieu Peninsula is remote.
paint., art, SALA Festival, Jesper Andersen

Salvation Jane and Vineyard.

Originally posted by jespersa at Salvation Jane and Vineyard. ©


Title: Salvation Jane and Vineyard.
Painter: Jesper Andersen.
Medium: Oil on cardboard.

This modernist oil painting shows vineyards in the Fleurieu Peninsula wine-growing region. It's an intuitive representation of colour and form that I perceive, and have reduced the pictorial space to a two-dimensional plane, eliminating illusion and representing objects as geometric shapes.
It has shallow red-brown ironstone soils with limestone, surrounded by white-flowered Almond blossom flora, with a suggestion of megafauna in the Salvation Jane vineyards. The painting is a self-sufficient entity independent of the external world of Willunga. Which lies south of Adelaide, the capital city of South Australia.
Shalom Aleichem! - Peace be unto you.